“How to translate sensations and inner monologues into movement? Is it possible to track the hesitation before speaking, the movements not chosen, the spaces we travel to when we are daydreaming, the memories and projections that cloud our awareness of the present?” (Meg Stuart)
In her solo works, Meg Stuart continues to venture into the monologue of movement, exploring everyday movements and physical conditions through improvisation. Over the past few years, she created several solos including XXX for Arlene and Colleagues (1995), Soft Wear (2000) and Signs of Affection (2010). An evening of solo works presents a selection of former solo works, as well as excerpts from evening-length performances.
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